Revolution of 21st Century
Music
· - Social
media & networking have played a huge role in the spreading of music.
o
YouTube,
Facebook, Twitter
· - Technology
has strongly affected the production of music and its diffusion throughout the
world.
Sources:
Riley, Sarah CE, Christine Griffin,
and Yvette Morey. "The case for ‘everyday politics’: Evaluating neo-tribal
theory as a way to understand alternative forms of political participation,
using electronic dance music culture as an example." Sociology. 44.2
(2010). 345-363.
St John, Graham. "Trance tribes
and dance vibes: Victor Turner and electronic dance music culture." Victor
Turner and contemporary cultural performance (2008). 149-73.
http://books.google.com/books?hl=en&lr=&id=RIOZwUzy0vsC&oi=fnd&pg=PA149&dq=electronic+dance+music+21st+century&ots=AOLE1ciGtS&sig=mmAuMDyrt7gHClaC9IG_eDyiUfM#v=onepage&q&f=false
http://books.google.com/books?hl=en&lr=&id=RIOZwUzy0vsC&oi=fnd&pg=PA149&dq=electronic+dance+music+21st+century&ots=AOLE1ciGtS&sig=mmAuMDyrt7gHClaC9IG_eDyiUfM#v=onepage&q&f=false
St John, Graham, et al. "Journal
of Electronic Dance Music Culture." (2011). Volume 3.1: 1-3.
http://www104.griffith.edu.au/index.php/dancecult/article/viewFile/313/306
http://www104.griffith.edu.au/index.php/dancecult/article/viewFile/313/306
Electronic Dance Music
· - Potential
for political propaganda/change
· - Sense
of community, social interactions
o
“Belonging
to a community, however temporary, brings
a sense of warmth through the experience of solidarity and belonging”
· - Effect
of technology
· - “EDMC
is an umbrella term used to describe a heterogeneous international youth
cultural phenomenon”
· - Beginnings:
“The early UK rave scene has been contradictorily analysed as evidence of celebration,
active resistance and an apolitical stance towards the increasingly individualistic
and materialistic culture of Britain in the 1980s”
· - DJ
Culture
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